Monthly Archives: September 2013
Is this the same continuity as the live action films? It’s hard to tell. Laurence Fishburne narrates the introduction, giving the backstory of the turtles and doing his best to cram all the necessary exposition into only a few minutes. 3,000 years ago, an immortal king (Patrick Stewart) inadvertently cursed his brother-in-arms to become stone statues and unleashed thirteen monsters from another dimension. Present day, Leonardo resides in Central America, protecting the innocent and thought to be a ghost. April O’Neil (Sarah Michelle Gellar) has given up journalism and now acquires ancient artifacts. Leonardo refuses to return to New York City until his spiritual journey sufficiently prepares him to assume the leadership role amongst his brothers.
Donatello works in technical support while Michelangelo entertains children at birthday parties. Raphael, who still has all those anger management issues, operates in secret as a vigilante known as “The Nightwatcher.” April is still romantically involved with Casey Jones (Chris Evans), who splits his time between assisting April and busting heads with Raphael. The immortal king is now called Winters and has April collecting the statues that were once his loyal comrades. Winters also hires Karai, daughter of The Shredder, and the Foot Clan to round up the monsters, who are all converging on New York City.
The plot seemed overly convoluted to me. Leonardo finally returns and Splinter (Mako) does his best to ease the dissention between Leonardo and Raphael, but without much success. Though they are forbidden to fight by Splinter, the turtles still get drawn into the battles between the Foot Clan and the monsters. These monsters were intended to be the basis for many legends like vampires, Bigfoot, the Loch Ness Monster, and even the Jersey Devil. This was all clarified on the DVD audio commentary. Kevin Smith voices a diner cook who witnesses the Jersey Devil inspired monster running amuck.
As per usual, Michelangelo and Donatello get shortchanged as Leonardo and Raphael bicker constantly. For once, the obligatory Raphael temper tantrum does not result him getting kidnapped. Instead, it is Leonardo who gets taken captive. The rest of the turtles, Splinter, April, and Casey storm Winter’s well protected tower for the climatic rumble with the reanimated stone statues, the monsters, and the Foot Clan. There were just too many antagonists in this movie. After the monsters are banished from our dimension, Winters is finally allowed to die, which he faces with optimism. Before Karai departs, she hints at the return of her father. A setup to a sequel that never actually materialized. Michelangelo is made to look like a fool again, having a sneezing fit after breathing in Winters’ glowing ashes. I guess that was suppose to be funny? The turtles are reunited and Raphael narrates the epilogue, not Laurence Fishburne.
My response to this CGI film was lukewarm. The story was crowded with antagonists, the animation was bleak, and I am personally tired of turtle stories focusing on nothing but Raphael’s anger issues. I felt like I was watching an 87 minute long video game cut scene. The next time the heroes in a half shell will appear on the silver screen, it will be a Michael Bay production, so we die hard turtle fans face the future with trepidation.
Written by: Stan Lee
Illustrated by: Steve Ditko
Lettered by: Art Simek
With his Aunt May gravely ill, Peter Parker has no other concerns. Fighting crime will have to take a backseat for the moment. Meanwhile, a brand new villain emerges in the form of Electro, whose true identity is not revealed. As his criminal moniker implies, he is electrically charged, not through a lab accident like so many other Spider-Man heels, but by his own invention. His first misdeed is knocking over an armored car.
Peter must check Aunt May into the hospital since she is dire need of an operation. The nature of her illness is not disclosed, so not to alarm the young readers. Peter attempts to continue with a normal routine, which still includes him getting teased at school by jerks like Flash Thompson.
Peter is still not worried about the criminal element in New York City, he wants to sell pictures to help defray the cost of Aunt May’s operation. Electro robs a bank, which has J. Jonah Jameson as a costumer. Jameson, ever the huckster, has the audacity to print in the Daily Bugle that Spider-Man is Electro without any real evidence. Citizens are torn as whether to condemn or defend Spider-Man. Peter does not get sidetracked by all this bad publicity and actually asks Jameson for loan, but is refused by the cheapskate.
Peter opts to collect on the reward for the capture of Electro. It takes Spider-Man time to track the scoundrel down, but his “spider-sense” eventually leads him to Electro, who is cracking a safe in a deserted apartment. Whether it was over confidence or distraction on a subconscious level due to Aunt May’s worsening condition, Spider-Man seemed off his game and was beaten down and knocked out cold by Electro.
Nowadays, the bad guy can emerge victorious, but it must be unsettling back in 1964 for the comic book’s key demographic, kids, to see their hero left in such a vulnerable state. They must have a had a tough week, waiting to see if and how Spider-Man could recover from this loss.
Electro, portrayed by Jamie Foxx, will be an antagonist in the next Spider-Man film.
Writer… Jeph Loeb
Artist… Tim Sale
Colorist… Gregory Wright
Letterer… Richard Starkings & Comicraft
Original Story Editor… Archie Goodwin
This story is similar in some regards to the beginning of “The Godfather,” with many of the prominent characters converging on a wedding hosted by a Mafioso. Carmine “The Roman” Falcone would like Bruce Wayne’s vote to join the board of the Gotham City Bank. Needless to say, Bruce Wayne is not interested in conducting any business with a crime lord like Falcone, but the night is not a total loss as Selina Kyle is attending this reception. Bruce was looking to duck out early, but cannot refuse when Selina asks to dance. Meanwhile, Harvey Dent is snooping around in the garage, jotting down license plate numbers. Falcone’s goons surprise Dent and rough him up. Bruce and Selina find Dent down in the garage, a little worse for the wear, but he brushes them off. “I believe in Harvey Dent,” says Bruce. Dent, disillusioned, meets up with Captain James Gordon, who assures him that they are not alone in their struggle against the mob.
Later, Falcone’s study his infiltrated simultaneously by the Batman and Catwoman. As the two tussle, they exchange repartee, their usual sexual tension. Falcone’s goons arrive, Catwoman flees, and Batman pursues. Falcone is so irate that he paraphrases lines from “The Godfather, Part II.” Salvatore “The Boss” Maroni takes pleasure in Falcone being dishonored. Falcone puts a bounty out on both Batman and Catwoman. The implication is that the scars on Falcone’s face were courtesy of Catwoman. Batman is given the slip by Catwoman before he can decipher what she was up to. Batman then convenes with Gordon and Dent, passing off the ledger he confiscated from Falcone’s study. The three men agree that they can bend the rules in their pursuit of Falcone, but never break them. Batman stealthily disappears into the night. “He does that,” Gordon explains to Dent.
Bruce Wayne does not want “The Roman” to have any dealings with the Gotham City Bank, so the Batman pays a visit to Richard Daniel, Falcone’s inside man on the board, and aggressively persuades him to vote against the gangster. Alberto Falcone wishes to support his father, but is urged to stay out of the family business. He is like the Michael Corleone of the family, while his cousin, Johnny Viti, the Sonny Corleone, is not being as helpful as he should. Richard Daniel is eventually whacked out for defying Carmine Falcone. Batman impugns the mob, but does not hold himself accountable for placing the late Mr. Daniel in such a predicament. News of this murder reaches Gordon, whose wife Barbara is clearly fed up with life married to a cop. Gilda Dent, is worried that her husband might be next on the mafia’s hit list, but he assures her that everything will be alright. Johnny Viti is then assassinated in his bathtub and the mystery assailant leaves behind a jack-o-lantern as a calling card.
Catwoman wants to keep the ire of the mob off of her, so she gives Batman some useful tips. On Halloween night, Batman and Harvey Dent break into a waterfront warehouse, where Carmine Falcone has stockpiled millions of dollars in cash which he was unable to launder. Brazenly, our two heroes doused the money with gasoline and set it ablaze. Retribution is immediate as Dent returns home to his wife, who was giving out candy to trick-or-treaters. Moments later, a fiery explosion, which was the cliffhanger of chapter one. What will transpire in the following chapters? Will Catwoman’s agenda finally be revealed? Will Alberto Falcone follow in his father’s footsteps? Will Salvatore Maroni make a power play? Will Harvey Dent emerge from the flames as Harvey Two-Face?
“The Long Halloween” was obviously an inspiration to Christopher Nolan and David S. Goyer. Not only for the inclusion of Carmine Falcone in “Batman Begins,” but for the relationship between Batman, Jim Gordon, and Harvey Dent, which played out in “The Dark Knight.”
*In order of airdate, not quality.
“Failure Is Not a Factory-Installed Option” 9/24/06
Stan loses his composure after being bested by a car salesman.
“Apocalypse to Remember” 3/27/07
Stan evacuates The Smith’s because he thinks the world has ended.
“Vacation Goo” 9/30/07
Francine wants The Smiths to bond while on a real vacation.
“Phantom of the Telethon” 11/30/08
Roger vows revenge when Stan steals his idea to raise money.
“Roy Rogers McFreely” 3/8/09
Roger irks Stan by taking over the home owners association.
“In Country…Club!” 9/27/09
Steve develops post traumatic stress disorder after a war reenactment.
“Rapture’s Delight” 12/13/09
Stan and Francine battle the anti-Christ in a post apocalyptic world.
“Return of the Bling” 2/21/10
Roger admits to steroid use while on the 1980 U.S. Olympic hockey team.
“Bully for Steve” 4/25/10
Stan becomes wimpy Steve’s bully to help toughen him up.
“Great Space Roaster” 5/16/10
Roger wants to be roasted on his birthday, then overreacts.
“Best Little Horror House in Langley Falls” 11/7/10
Stan’s haunted house gets overshadowed by Buckle’s on Halloween.
“There Will Be Bad Blood” 11/28/10
Stan becomes insanely jealous of his Native American half brother.
The Smiths must band together to survive a bad storm.
“Land of the Dead” (2005)
“Zombies, man, they creep me out.” George A. Romero brought back the dead in a big way with his most ambitious zombie endeavor. It’s very cool that this film was released by Universal Studios because it links Romero’s zombies with all of the classic monsters like Dracula, Frankenstein’s Creature, The Wolf Man, and The Mummy. What is ironic about this, is the original “Night of the Living Dead” was one of those landmark horror films, along with Alfred Hitchcock’s “Psycho” that made the classic monsters somewhat passé in the 1960s. “Land of the Dead” was released in the summer of 2005 and had to compete at the box office with summer blockbusters like “Batman Begins” and Stephen Spielberg’s remake of “War of the Worlds,” starring Tom Cruise. Also, unlike previous installments, name actors were in the cast.
The setting is a city based on Romero’s native Pittsburgh. The privileged get to reside in a posh skyscraper, Fiddler’s Green, while all the commoners are stuffed in shanty towns and live off the scraps of the elite. Teams are dispatched to search for essential supplies in neighboring communities, which are deserted except for all the zombies. An armored truck, Dead Reckoning, which was also the working title of the film, is the chariot that protects these scavengers. Riley Denbo (Simon Baker) is leader of the unit. He could be described as humorless and is quite troubled by the sophisticated interactions between zombies he observed. Cholo DeMora (John Leguizamo), his second in command, was more impulsive and egotistical. Both characters have their own agendas. Riley wants to abandon the city and live off the land while Cholo hopes to earn his way into Fiddler’s Green by serving as a lackey to Mr. Kaufman (Dennis Hopper), who is the self anointed monarch of the Green. Both Riley and Cholo are deluding themselves and only delaying the inevitable.
Romero’s prior dead films each featured a strong African-American lead. Duane Jones, Ken Foree, and Terry Alexander. In this film, it was Eugene Clark as Big Daddy, a gas station attendant zombie who has matured enough to be fearful of the humans and show genuine concern for his fellow zombies, picking up where Bub had left off in “Day of the Dead.” Initially, he is the only zombie not to be entranced by the fireworks (or sky-flowers) fired as a distraction while the scavengers do their dirty work. Zombies in this film are referred to a few times as “walkers,” but mostly they were called “stenchers.” Big Daddy rallies his zombie compatriots and leads them on a gory path of destruction towards Fiddler’s Green. Along the way, he even teaches a few how to use weapons.
Riley is not allowed to leave the city, presumably under the orders of Kaufman, and is arrested along with Slack (Asia Argento), the eye-catching daughter of Dario Argento, producer of “Dawn of the Dead.” Meanwhile, Cholo is not permitted into the Green and goes renegade, hijacking Dead Reckoning and holding the Green for ransom. Kaufman does not negotiate with terrorists (a blatant jab at the George W. Bush administration) and strikes a deal with Riley to retrieve the truck and eliminate Cholo. Riley’s plan is to commandeer the truck, but not return to the city. Instead, he will head north with Slack and Charlie (Robert Joy), a marksman and a burn victim, who could easily be mistaken for a zombie at a glance.
Big Daddy and his tribe cross the river and converge on Fiddler’s Green. Obviously, the living dead are not coordinated enough to actually swim, so they sunk to the bottom and walked. Romero says on the DVD audio commentary that he didn’t include a shot of the zombies underwater because “Pirates of the Caribbean” had beat him to the punch with a similar shot. Riley recovers Dead Reckoning, but Cholo refuses to return to the Green until he is bitten by a zombie. Kaufman decides to bail with all of his money just as Big Daddy’s zombie wrecking crew breaches the Green. Cholo returns, in the final stages of becoming a zombie, and confronts Kaufman in a parking lot, where they both get blown to hell by Big Daddy. Riley finally arrives with Dead Reckoning, but many people have already been killed, so it seems like another “Night of the Living Dead” downer ending, but some residents are revealed to have survived and will rebuild what will hopefully be a better living arrangement than what they had endured under Kaufman’s tyranny. Riley allows Big Daddy and the other evolved zombies to depart unscathed. Dead Reckoning rides off into the sunrise, firing the last of the sky-flowers, which are now redundant.
Cameos to keep an eye out for… Simon Pegg and Edgar Wright, the star and director of “Shaun of the Dead” as the photo booth zombies. Tom Savini, reprising his role from “Dawn of the Dead,” still armed with his machete, but now as a zombie in one of many rampage scenes. Alan van Sprang, who plays Brubaker, a solider, would make a cameo in “Diary of the Dead,” then play the lead in “Survival of the Dead.” This film would be the last in the original continuity as George Romero rebooted the series with “Diary of the Dead.”
“Diary of the Dead” (2007)
“Are we worth saving? You tell me?” George A. Romero goes back to the beginning of his zombie epidemic, which gets documented by student filmmakers (Michelle Morgan, Joshua Close, and Shawn Roberts), who were in the process of shooting a horror movie of their own. Roberts had already played a different, smaller part in “Land of the Dead.” What makes this unique from all other “found footage” films is that these students were able to edit their footage before uploading it to the internet, so there is a narration and a soundtrack, something that was missing from “The Blair Witch Project,” “(REC),” and “Cloverfield.” Those films were meant to be the raw, unedited footage. The title of their documentary is “The Death of Death,” not “Diary of the Dead,” the actual title of the film.
These students are making a mummy movie. Anyone who reads this blog knows that I hold mummies in low regard as the lamest of monsters. They are sure to berate the actor portraying the mummy for running because dead people could not possible move that fast. A dig at Danny Boyle’s “28 Days Later,” even though Boyle has always protested that those in his film infected with “rage” were not actually zombies, and Zack Snyder’s remake of “Dawn of the Dead,” which definitely had some ludicrously speedy zombies. I find most of the other film student dialogue to be a bit hokey. They just seem too self aware and poked fun at other horror movie conventions, which was something already done in Wes Craven’s “Scream” eleven years earlier. One similarity to “The Blair Witch Project” is that their director absolutely refuses to put the camera down no matter how much it maddens the entire group.
After the shit hits the fan, they arrive at a hospital that seems to have been deserted too quickly. This is suppose to be “Night of the Living Dead,” the start of the epidemic, but this hospital seems to already be in “Dawn of the Dead” territory, the time after society has already broken down. Greg Nicotero makes a cameo here as a surgeon zombie, then a nurse zombie gets her eyeballs melted by a defibrillator. Cool. Again, the director was chastised for filming the carnage, a commentary on us becoming a society of voyeurs, but this message had already been stressed in earlier found footage flicks. What I found fascinating was their professor (Scott Wentworth) explaining how effortless it was for a person to pull the trigger when in wartime.
Next, they meet a hearing impaired Amish farmer named Samuel (R.D. Reid). This guy was only around for a few minutes, but he might have stolen the show. I was bummed that he was killed so quickly. They then hold up temporarily with militants and watch a zombie get its cranium dissolved by acid. Yet another inventive way to waste a zombie. Boyd Banks cameos as a gunsmith. Banks had played a trucker in Zack Snyder’s “Dawn of the Dead” remake and the butcher zombie in “Land of the Dead.” Their professor politely refuses a pistol and opts for a bow and arrow. Old school. Alan van Sprang also pops up as a jerk of a National Guardsman who raids their Winnebago of most supplies, leaving the students with only their weapons.
They finally arrive at the mansion which belongs to the parents of the cast member who had played the mummy. These students are nowhere near as savvy as Ben in “Night of the Living Dead” because they make no efforts to secure this residence. The mummy is keeping his family and staff, who are now all zombies, in an indoor swimming pool. He has also been bitten, turns, and a scene from their movie (“Untitled Mummy Project”) within their documentary (“The Death of Death”) within the actual movie (“Diary of the Dead”) was reenacted. Zombies eventually overrun this residence and the few survivors retreat to a panic room. The last video uploaded from the internet for their documentary features two rednecks using zombies for target practice. Just like in “Night of the Living Dead,” the film ends on rednecks who enjoy the zombie apocalypse far too much.
Cameos you can keep an ear out for… Stephen King, Quentin Tarantino, Wes Craven, Guillermo Del Toro, and Simon Pegg all provided voiceovers as the news castors heard during montages. It’s hard to identify them, but I’m pretty sure I recognized Wes Craven and Simon Pegg. Shawn Roberts went on to appear in the “Resident Evil” films as the traitorous Albert Wesker, a character I went trick-or-treating as in junior high.
“Survival of the Dead” (2009)
“You’re dangerous, kid, but not as dangerous as me.” Alan van Sprang, who had played supporting roles in the two prior George A. Romero living dead films, was upgraded to the lead, sergeant to the troop of AWOL National Guardsmen who appeared briefly in “Diary of the Dead,” holding up the film students. Following “Sarge” are Chuck (Joris Jarsky), Francisco (Stefano DiMatteo), and Tomboy (Athena Karkanis). Tomboy was a lesbian, the first openly gay character in a Romero zombie flick. So, it’s the end of the world and the last hot chick does not like dudes. What a kick in the ass that must be for the gentlemen. Romero states on the DVD introduction that there is more humor in this film than in its predecessors, but it never went so far to be labeled as tongue-in-cheek.
On Plum Island, there are two feuding families, the O’Flynns and the Muldoons, who are the modern Hatfields and McCoys. They bicker about everything, including how to manage the zombie apocalypse. Patrick O’Flynn (Kenneth Welsh), patriarch of his clan, is pragmatic and has no aversion to shooting zombies in the head at the first chance he gets. His rival, Seamus Muldoon (Richard Fitzpatrick), actually believes that the living dead can be conditioned to feed on something other than human flesh. After all, those ghouls in “Night of the Living Dead” devoured insects. Muldoon wants to train them to be obedient like Dr. Logan successfully did with Bub in “Day of the Dead.” O’Flynn is exiled from Plum Island after Muldoon ceases control. Meanwhile, Sarge and the other AWOL National Guardsmen loot an armored vehicle and allow Boy (Devon Bostick) to join their merry band. They see an advert on the internet for Plum Island, produced by O’Flynn himself, and figure that Plum might be an ideal place to settle down with their newfound fortune.
O’Flynn and the Guardsmen travel to the island via ferry. While swimming to the ferry, Francisco is pawed at by zombies in the water and he actually bites one of them. Man bites zombie. Seems like a really brazen move, but by swallowing zombie blood, he is infected. Once on board the ferry, my favorite moment in the movie, Sarge uses a flare gun to ignite a zombie, then he lights his cigar with its burning carcass before kicking it overboard. I suppose you cannot be infected by smoking zombie cinders? They arrive at the island and Chuck is killed by one of Muldoon’s men. It is also revealed that O’Flynn has twin daughters, Jane and Janet (both played by Kathleen Munroe). Jane has become a zombie, but still rides her faithful horse. Okay, I begrudgingly accept that in Romero’s zombie movies of the new millennium, the dead can maneuver in water, but horseback riding? That’s quite a leap. Francisco confesses to Tomboy that he was infected, so she must reluctantly execute him, then she is take captive by Muldoon’s men.
Janet, O’Flynn’s still living daughter, is so naive and does not condone her father actions because she’s always believed that the vendetta between the families is pointless. Sarge, Boy, O’Flynn and his men, leave to rescue Tomboy and have a final showdown with the Muldoon clan, but they are all taken prisoner. Muldoon is keeping a bunch of zombies in his corral and hopes to get Jane to feed on her horse, proving that the zombies can be tamed. Janet arrives, believing that there is still humanity left in her sister and no harm could come to their horse. Janet is so damn naive that she takes her sister’s hand, only to get bitten. A shootout ensues and all the zombies are freed to become part of the melee. Eventually, Jane does take a bite out of her horse, but before Janet can tell anyone that Muldoon may have been right, she gets shot in the head by her own father.
Both O’Flynn and Muldoon die as result of gunshot wounds suffered in the fight. Other zombies, assumedly taking a cue from Jane, chow down on the horse. It’s actually more heartbreaking to see animals die in films than people. Sarge, Boy, and Tomboy depart Plum Island with the money they acquired earlier while O’Flynn and Muldoon are left to continue their rivalry as zombies. Frankly, neither the O’Flynns nor the Muldoons were a day at the beach. They were too stubborn and set in their ways to make surviving this calamity worthwhile. A theme dating back to “Day of the Dead” and continuing to this day with “The Walking Dead,” which is that the survivors of a catastrophe can be more of a headache than the actual catastrophe, which in this instance were zombies.
If one wants to take the fan fiction route and presume that Alan van Sprang’s character, Sarge, from “Diary of the Dead” and “Survival of the Dead” is Brubaker from “Land of the Dead,” then these three films are a trilogy onto themselves, but most likely, “Land” is a sequel to the original trilogy while “Diary” and “Survival” are the reboot franchise.
What does the future hold? Will the dead walk again? Only time will tell. As of 2012, George Romero stated in interviews that he hopes to continue making zombie films, but investors have been hard to come by. I suppose that’s because “Survival” was the least successful entry in the series. Whether the series has been laid to rest or not, George A. Romero can be proud of reinventing the concept behind zombies and crafting what we now consider to be the modern zombie. The “Resident Evil” video games turned movie franchise and the popular comic books turned hit TV show “The Walking Dead” would not exist without this innovative and inspiring filmmaker.
Long before he rose to prominence, “The Immortal” Hulk Hogan arrived in the WWWF (World Wide Wrestling Federation) in 1979. He dubbed himself “The Hulk” after the Marvel Comics character – without permission – and was given the surname “Hogan” by Vincent J. McMahon. Hogan was managed by “Classy” Freddy Blassie and competed in several matches against his greatest foe, “The Eighth Wonder of the World” Andre the Giant. Hogan was unceremoniously released from the promotion in 1981 when he was cast in the film “Rocky III” because Vincent J. McMahon did not want any of his wrestlers to double as actors. Hogan then moved on to Verne Gagne’s AWA (American Wrestling Association) where “Hulkamania” was born thanks in large to his appearance in “Rocky III.” Gagne – not unlike Vincent J. McMahon – was a wrestling traditionalist and reluctant to showcase Hogan as his World Heavyweight Champion. Hogan defeated reigning AWA Champion, Nick Bockwinkel, who was managed by Bobby “The Brain” Heenan, on at least two occasions, but the decisions were reversed both times due to the behind the scenes financial disputes between Hogan and Gagne.
History was made when Vincent K. McMahon purchased his father’s promotion, which was now known as the WWF (World Wrestling Federation). Vince Jr. saw the potential which The Hulkster possessed and resigned him in late 1983. It did not take long for Hogan to reach the zenith as he defeated The Iron Sheik for the WWF Championship on January 23, 1984. Over the next several years, the WWF went from a mere regional promotion to a national promotion to a global phenomenon. This expansion was known as “Rock ‘n’ Wrestling” and Hulk Hogan was its figurehead.
1985 was especially a landmark year for both Hulk Hogan and the WWF. First, Hogan defended his championship against “Rowdy” Roddy Piper at MTV’s War to Settle the Score in a match that ended in a No Contest and setup the main event of WrestleMania. Hogan teamed with “Rocky III” costar Mr. T in a match against Roddy Piper and “Mr. Wonderful” Paul Orndorff. Boxing legend Muhammed Ali was the guest enforcer. Both these events were held at Madison Square Garden. Hogan and Mr. T were victorious at WrestleMania, but the rivalry between The Hulkster and The Hot Rod continued. They squared off one more time at The Wrestling Classic and Hogan retained his title by DQ.
Bobby “The Brain” Heenan had also made the jump from the AWA to the WWF and sought to bring an end to Hulkamania. Almost every member of “The Heenan Family” would challenge Hogan for the his title at some point. King Kong Bundy lost to Hogan in the main event of WrestleMania II in Los Angeles, a Steel Cage Match for the WWF Championship, but Heenan scored a coup when he convinced Andre the Giant, who had become a friend and mentor to Hulk Hogan in recent years, to join The Heenan Family and turn his back on The Hulkster and his fans. Hulk Hogan vs. Andre the Giant for the WWF Championship in the main event of WrestleMania III was the absolute biggest match in pro wrestling history. Over ninety three thousand (alleged) fans set an indoor attendance record in Pontiac, Michigan’s Silverdome to witness this epic clash of titans. Hogan was the underdog for the first time ever, but he pulled off the upset win with the body slam heard around the world and his signature atomic leg-drop. The torched had officially been passed.
Later in 1987, on Saturday Night’s Main Event, Hulk Hogan came to the aid of “Macho Man” Randy Savage at the behest of Savage’s valet, the lovely Miss Elizabeth. This new alliance was dubbed “The Mega Powers.” In 1988, “The Million Dollar Man” Ted DiBiase offered to buy the WWF Championship from Hulk Hogan, who flatly refused. DiBiase then recruited Andre the Giant to win the title on his behalf, which he did on The Main Event. Andre was not permitted to relinquish the belt to DiBiase and the title was declared vacant. Hogan and Andre squared off again at WrestleMania IV in Trump Plaza, but this rematch is less heralded because it ended in a double DQ. Randy Savage defeated Ted DiBiase that same night for the WWF Championship. The Mega Powers bested the duo of Ted DiBiase and Andre the Giant at the inaugural SummerSlam. Jesse “The Body” Ventura was the guest referee in that match.
The Mega Powers eventually exploded as a result of Hulk Hogan’s grandstanding and Randy Savage’s manic paranoia. Hulk won the WWF Championship for a second time by defeating The Macho Man in the main event of WrestleMania V, also held in Trump Plaza. Hogan then spent the latter part of 1989 feuding with Zeus, his co-star from the film, “No Holds Barred.” At the 1990 Royal Rumble, The Hulkster crossed paths with The Ultimate Warrior, reigning WWF Intercontinental Champion. The main event was soon announced for WrestleMania VI in Toronto. Hulk Hogan vs. The Warrior, title for title. The ultimate challenge was unique with two fan favorites battling each other. The Skydome jinx established itself and The Warrior won the title, but Hogan was gracious in defeat. Hulk then filmed “Suburban Commando” while recovering from the injuries he suffered at the hands of Earthquake.
The Hulkster returned and won his second consecutive Royal Rumble in 1991, then he won his unprecedented third WWF Championship at WrestleMania VII in Los Angeles from Sgt. Slaughter, who was an Iraqi sympathizer during the Gulf War. Hogan lost the title to The Undertaker at Survivor Series 1991, then was announced to compete against “Nature Boy” Ric Flair at WrestleMania VIII in Indianapolis, but his opponent ended up being Sid Justice instead. The Hulkster won that match via DQ with some help from The Ultimate Warrior, then apparently retired from the WWF. He made his return one year later and competed twice at WrestleMania IX in Las Vegas. First, in the WWF Tag Team Championship match, then he defeated Yokozuna for the WWF Championship in an impromptu match. Hulk Hogan’s new record of five title reigns would last for eight years.
Shockingly, “The Immortal” Hulk Hogan made the jump to Ted Turner’s WCW (World Championship Wrestling) in 1994 and won the WCW Championship from Ric Flair at Bash at the Beach. “Macho Man” Randy Savage also made the jump and he and Hogan reformed their partnership. A Steel Cage Match between Hogan and Big Van Vader at Bash at the Beach 1995 was showcased on an episode of the hit TV series, Baywatch. WCW fans were nowhere near as receptive of Hulkamania as WWF fans were because of The Hulkster’s tired catchphrases and the corny matches he competed in, such as a Monster Truck Battle with The Giant (a/k/a The Big Show) at Halloween Havoc 1995. Hulk decided to shake the wrestling world to its foundation by joining The Outsiders (Scott Hall and Kevin Nash) at Bash at Beach 1996 to found the nWo (New World Order). His signature colors changed from red and yellow to black and white. The nWo dominated WCW for the next two years and “Hollywood” Hulk Hogan, as he was now dubbed, did whatever was necessary to hang onto his title, aligning with Eric Bischoff, the executive producer of the company. The nWo even hosted their own pay-per-view in 1997 called Souled Out. Two major loses suffered by Hollywood Hogan during this time period were to Sting at Starcade 1997 and to Goldberg on Monday Nitro in the summer of 1998.
After a cage match between Hollywood Hogan and Randy Savage at Uncensored 1998, the nWo splintered into two different factions, nWo Hollywood and The Wolfpack. The nWo reunited in early 1999 to knock Goldberg of his pedicel, but the fans had begun to lose interest in this renegade stable. In the summer of that year, Hulkamania walked back into our lives as Hulk Hogan again donned the red and yellow for a six man tag team match on Nitro. This “second coming” was short lived however since WCW fell into financial turmoil in 2000, during the “New Blood” angle where Hogan was relegated to a feud with Billy Kidman of all people, then Hogan was publicly fired by writer Vince Russo at Bash at Beach 2000. WCW was bought out by Vince McMahon in 2001.
The three founding members of the nWo returned to the WWF at No Way Out 2002, but despite of their heels tactics, “Hollywood” Hulk Hogan was rooted for in his loss to The Rock at WrestleMania XVIII in Toronto. Hogan was booted from the nWo after the match, but Hulkamania was still running wild. Hulk won the WWF Championship for a sixth, and thus far final time, from Triple H at Backlash 2002. The name of the title was then changed to the WWE Championship since the company was now World Wrestling Entertainment. Hulk was again defeated by The Undertaker at Judgment Day 2002, then after a brief reign as WWE Tag Team Champions with Edge, The Hulkster was put out of action by Brock Lesnar. Hulk Hogan returned in 2003 and defeated Mr. McMahon in a Street Fight at WrestleMania XIX in Seattle. He has not competed at a WrestleMania since, but did appear at WrestleMania XXI in Los Angeles, the night after his induction into the WWE Hall of Fame, Class of 2005. The WWE Universe was clamoring for one more match. Hogan answered the call, defeating Shawn Michaels as SummerSlam 2005 in a “Legend vs. Icon” match. Hulk made just a few sporadic appearances in the WWE over the next several years.
Once again, “The Immortal” Hulk Hogan made waves by joining TNA (Total Non-Stop Action) Wrestling in 2010, not as an active wrestler, but as an executive, though he did compete in a tag team match on Impact to help bring attention to this small promotion. At Bound for Glory 2010, Hulk and Eric Bischoff formed a group called “Immortal,” which had Jeff Hardy as its figurehead. They tried to recreate the fervor of the nWo, but lost a great deal of momentum due to Jeff Hardy’s personal “demons.” Hogan stepped back into the ring at Bound for Glory 2011 to square off with “The Icon” Sting. Sting was victorious, but more importantly, helped Hulk see the light and Hulk left Immortal immediately following their match. After that, Hogan was a strict General Manager in TNA, being tormented for most of 2013 by “Aces & Eights,” a rogue gang led by Bully Ray (a/k/a Bubba Ray Dudley).
Hulkamania will undoubtedly live forever and the red and yellow is going to be running wild in the WWE once again as The Hulkster is returning as the host of WrestleMania XXX in New Orleans.
Article has been reposted at…
*A few more that come to mind.
“People Are Alike All Over”
Airdate: March 25, 1960
Starring: Roddy McDowall & Paul Comi
Astronauts crash land on Mars and the sole survivor ends up in a Martian zoo.
“Five Characters in Search of an Exit”
Airdate: December 22, 1961
Starring: William Windorn & Murray Matheson
A major, a hobo, a clown, a bag piper, and a ballerina don’t know that they’re toys.
“Little Girl Lost”
Airdate: March 16, 1962
Starring: Robert Sampson & Sarah Marshall
Parents awake to find that their daughter has vanished into another dimension.
“Probe 7 – Over and Out”
Airdate: November 29, 1963
Starring: Richard Basehart & Antoinette Bower
Marooned astronaut’s home world is destroyed, he then meets a female named Eve.
“Queen of the Nile”
Airdate: March 6, 1964
Starring: Ann Blyth & Lee Philips
A reporter learns that a starlet never ages because she steals souls to remain young.
“Stopover in a Quiet Town”
Airdate: April 24, 1964
Starring: Barry Nelson & Nancy Malone.
After a night of partying, a couple find themselves waking up in giant doll house.