Monthly Archives: March 2014
“Conan the Barbarian” (1982)
Arnold Schwarzenegger’s first cinematic endeavor was “Hercules in New York” (1969). It’s an atrociously bad flick. By the late 1970s, Arnie had improved as an actor and gave a surprisingly good performance in “Stay Hungry” (1976), playing a bodybuilder, which was appropriate casting and he held his own with the likes of Jeff Bridges and Sally Field. “Pumping Iron” was released in 1977 and chronicled Lou Ferrigno’s attempt to unseat Arnold Schwarzenegger in the “Mr. Olympia” competition. You wouldn’t think a documentary about buff men in speedos would make for a compelling watch, but the film was well received by both critics and general audiences. The 1980s then became the era of the action hero. Sylvester Stallone had the head star, establishing the characters Rocky Balboa and John Rambo. Arnold Schwarzenegger entered the mix when he was cast as the lead in “Conan the Barbarian.” Directed by John Milius, this film is a loose adaptation of stories penned by Robert E. Howard. Hard to imagine, but Oliver Stone was actually one of several writers who contributed to the screenplay. At a young age, Conan witnesses his parents murdered by Thulsa Doom (James Earl Jones). Conan is then sold into slavery and becomes a pit-fighter when he reaches adulthood. For reasons unknown, his master sets him free and he becomes a renowned thief. After a series of adventures, Conan and his new companions are hired by King Osric (Max von Sydow) to rescue his daughter from Thulsa Doom, who is revealed to be a cult leader of sorts. Conan is more interesting in personal revenge and his haste leads to the death of his love interest, Valeria (Sandahl Bergman). Mako plays Akiro the Wizard, who assists Conan in act three. Conan finally confronts Doom and despite Doom’s best efforts to talk his way out of trouble, Conan decapitates him, avenging his parents. Before the end credits roll, we see an older Conan on a throne, implying that this was merely his origin story and greater adventures await, promising a long running series of films. Unfortunately, there was only one mediocre sequel in 1984 and a remake released in 2011, which I’ve never seen. Jason Momoa from “Game of Thrones” seems like a logically successor to Arnie in terms of physicality, but it’s hard to find someone with Arnie’s charisma, who can match his unique movie star persona. Fans love all of the carnage in “Conan the Barbarian,” but my favorite scene is when Conan is chased by a pack of wild dogs into a cavern and he discovers the remains of a king. Such an eerie scene that also hints at the character’s destiny.
“Conan the Destroyer” (1984)
Okay, so why is “Conan the Barbarian” enjoyable despite of its generic story and weak acting, while “Conan the Destroyer” is panned? Many complain about the PG rating. Yes, the violence was sorely missed, but the adventure still had potential. Sarah Douglas was a suitable antagonist as Queen Taramis. What annoyed me the most was the amount of irritating sidekicks Conan was saddled with. Mako being the acceptation. Also, this film does not deliver on the original film’s cliffhanger. I thought the sequel was suppose to tell the tale of how Conan became a king? But, when Princess Jehnna (Olivia d’Abo) suggests they marry and rule together, Conan balks at the idea and the movie ends with the same exact cliffhanger as the original. “Kull the Conqueror,” which was released in 1997 and starred Kevin Sorbo, was initially conceived as the third Conan film. “The Legend of Conan” is now in development, but taking Arnold Schwarzenegger’s age into consideration, you would have to imagine that Conan is already a king. One interesting tidbit about “Conan the Destroyer” was that Andre the Giant played Dagoth, the horned creature that Conan battled in the climax.
“The Terminator” (1984)
Arnold Schwarzenegger’s signature character. A cybernetic assassin from the year 2029. Writer / director James Cameron originally envisioned someone like Lance Henriksen for the T-800. An antagonist who moves stealthily, but after meeting with Arnie, James Cameron reworked the script. He knew how essential Arnie would be to the success of the film and even waited while Dino De Laurentiis forced Arnie to shoot “Conan the Destroyer.” Cameron used this time to work on the screenplays for “The Terminator,” “Rambo: First Blood, Part II,” and “Aliens.” This is an action / adventure / sci-fi flick, but also works as a date movie because of the romance. The story is really about Sarah Connor (Linda Hamilton) and Kyle Reese (Michael Biehn). Usually, I’ll find it hokey when characters in a movie fall in love so quickly, but it works here because these two characters were clearly “meant to be.” Reese traveled through time to protect the woman whose photograph had given him hope in the post-apocalyptic world. This leads to the conception of the future savior of the human race. So, by Skynet sending the T-800 back in time, it brings about its own downfall. By trying to prevent the birth of John Connor, Skynet inadvertently brings him into existence. But, of course, John Connor had already known that Kyle Reese was his father because his mother tells him. That’s all I’ll say about the time travel aspect of the story because the more you analyze it, the less sense it makes. The T-800 was the part Arnie was born to play. Such an iconic villain. He can’t be reasoned with. He can’t be bargained with. And he absolutely will not stop until you are dead!!! On some levels, I might be disappointed that he becomes the hero in the sequels. Not that I have anything against “T2.” Because of my age, I saw “T2” first as a kid and had a bunch of the action figures. Along with Arnie and James Cameron, the late Stan Winston is the man responsible for bringing the T-800 to life with his celebrated animatronics and makeup effects. “T2” was a real pioneer when it came to CGI, but the original was old school. Matte paintings, miniatures, and stop motion.
“I’ll be back” counter: 1
“Red Sonja” (1985)
Understand, I’ve only included this flick in the article because the backstory of Arnold Schwarzenegger’s involvement in the production was classic showbiz absurdity. “Red Sonja” was meant to be an offshoot of the “Conan the Barbarian” franchise, but despite of Dino De Laurentiis being the producer, this film did not have permission to use the “Conan” name. Instead, Arnie’s character was referred to as Kalidor. He was also meant to only appear in a cameo, but he was kept on set for nearly a month and the film was edited to make Kalidor essential to the plot. It was almost like the real life version of “Bowfinger,” with an actor being forced to star in film through nefarious means. Is it any wonder that Arnie never worked with Dino De Laurentiis again?
“Total Recall” (1990) took a lot of flack for being an Arnold Schwarzenegger movie with a high body count, probably because it was released at the height of his fame, but in “Commando,” Arnie can be credited with 94 deaths!!! Wow. This film was never one of my favorites. John Matrix sounds like such a phony name and musical score seems to be retread of “48 Hrs.” (1982). Also, I found Rae Dawn Chong’s character so unnecessary. Matrix needed to carjack her, but why the heck did she have to tag along for the rest of the movie? And Dan Hedaya’s Hispanic accent was pretty cartoony. Having said that, “Commando” might be the best of Arnie’s worst 1980s movies. If that makes sense. I’d rather watch this than “Raw Deal” or “Red Heat.” This film is also noteworthy as it was the inception of his “one liners.” It would soon become a staple of the genre for the hero to make a quip either before or after vanquishing a foe. Something that had already been done in the 007 films, but Arnie truly made it his own. The character Rainer Wolfcastle from “The Simpsons” is a very popular parody of Arnold Schwarzenegger and it was probably his performance in “Commando” which was most inspirational. Also, WWE Studios’ “The Marine” franchise continuously steals from “Commando,” rehashing the ex-soldier saving a loved one from kidnappers plot three times. To say that John Cena and The Miz are a couple poor substitutes for Arnold Schwarzenegger would be a vast understatement.
“I’ll be back” counter: 2
“Raw Deal” (1986)
Okay, so Arnold Schwarzenegger now goes undercover with the mafia? And no one is at all suspicious of his pretty thick Austrian accent? Also, his character’s wife is suffering from depression, so instead of supporting her, he fakes his death. How is her thinking her husband is dead not going to make her depression even worse? And all he does to fake his death is blow up his patrol car. If there’s not a body in the car, why would anyone assume that he was killed in the explosion? The reconciliation happens off camera, but apparently his wife was totally fine with his supposed death and surprise return. “Raw Deal” is a Steven Seagal movie starring Arnold Schwarzenegger. Having said that, there is one supremely badass sequence with Arnie driving around a rock quarry in a leather jacket, shooting some anonymous henchmen while “(I Can’t Get No) Satisfaction” by the Rolling Stones blares.
*Arnie says “I’ll be RIGHT back,” this time, which doesn’t make my official tally.
“I ain’t got time to bleed.” This is the sort of movie that puts hair on your chest. The 1980s was the time for machismo. Arnold Schwarzenegger, Carl Weathers, Bill Duke, Sonny Landham, and Jesse “The Body” Ventura. I won’t get into all of the behind the scenes drama with Jean-Claude Van Damme as the original actor inside of the Predator suit or the failures of the early dog-lizard-like design of the alien creature because the finished product shows no signs of the flawed production. Directed by John McTiernan, “Predator” succeeds as an action / adventure and a sci-fi / horror movie. It was definitely my favorite movie as a kid. Stan Winston was responsible for the iconic creature design. An extraterrestrial trophy hunter with dreadlocks and mandibles, portrayed by the over seven foot tall Kevin Peter Hall. Nowadays, all these CGI aliens from “Cloverfield,” “Cowboys & Aliens,” and “Super 8” seem to be the same slimy amphibian with claws. There’s nothing distinctive about their designs. The Predator’s vision is infrared, it can mimic the sounds made by humans, and can also be camouflaged by its surroundings. The Predator hunts by code. It shows good sportsmanship. It will not kill a human who is unarmed. But, if you are armed, it will skin you and rip your spinal cord out before polishing your skull up to keep as a prize. It stalks and kills every member of an elite military rescue team, who were trekking through a Central American jungle, building to a final showdown with Colonel Dutch Schaeffer. When Dutch lets out his primal roar, challenging the Predator, you know shit is about to go down. Never had Arnie been overmatched like this. He takes a beating, but when he turns the tide, he proves to not be a cold blooded killer. He shows mercy, only to have the Predator set off an explosive device. Arnie barely escapes with his life. At the end of “Commando,” he sports a few scratches. At the end of “Raw Deal,” he is totally unscathed. At the end of “Predator,” he looks to have been in several car wrecks. John McTiernan knew that for an action film to be successful, the hero needs to be put through the wringer. Something that he would carry over into the “Die Hard” franchise. “Predator 2” was released in 1990 and starred Danny Glover. It’s not as good as the original, but not as bad as some people gripe. Nobody seems to like that the film was set in Los Angeles, but the sequel needed to do something different. If it too was set in the jungle, it would’ve been viewed as lazy and unoriginal. Arnold Schwarzenegger has yet to appear in any of the follow up films. Allegedly, he was to have made a cameo at the end of “Alien vs. Predator” (2004), but him being elected as governor of California put the kibosh on that. Robert Rodriguez developed “Predators” (2009) with Arnie in mind to reprise his role as Dutch, but the lead ended up being a new character played by Adrien Brody. Arnold Schwarzenegger > Adrien Brody.
“The Running Man” (1987)
Long before “Battle Royale” (2000) or “The Hunger Games” (2012), there was “The Running Man.” Based on a novel written by Stephen King under the pseudonym Richard Bachman, this film is both quintessentially 1980s and somehow still ahead of its time by presenting a dystopian future where the media, namely reality TV, has brainwashed the masses. The only difference between “The Running Man” and modern reality TV is that no one ever gets slain on “Survivor” or “Big Brother.” The stalkers on “The Running Man” all have pro wrestling inspired gimmicks. Professor Subzero, Buzzsaw, Dynamo, Fireball, and Captain Freedom, who was played by Jesse “The Body” Ventura. This was the second pairing of Jesse and Arnie, two future governors. Richard Dawson, the then host of “Family Feud,” plays Damon Killian. Killian was an excellent antagonist and one of the few adversaries in an Arnold Schwarzenegger film to have a comeback for “I’ll be back.” Killian replies, “Only in a rerun.” Wow. He dared to talk back to Arnie. The love interest was played by Maria Conchita Alonso. This was the first movie where Arnie gets the girl. Sandahl Bergman died in “Conan the Barbarian.” He rejected Olivia d’Abo in “Conan the Destroyer.” His relationship with Rae Dawn Chong in “Commando” was strictly plutonic and I don’t count the psychological torment he caused his wife in “Raw Deal” as a happy ending. WWE Studios took a break from rehashing “Commando” in 2007, releasing “The Condemned,” starring”Stone Cold” Steve Austin. The concept was similar to “The Running Man.” Convicts fighting to the death to win their freedom. The difference being the jungle setting and that this death sport was streamed live on the internet. Since the concept is so fertile, I’m actually surprised there’s yet to be a sequel or a remake of “The Running Man.” Maybe the popularity of “The Hunger Games” will facility this?
“I’ll be back” counter: 3
“Red Heat” (1988)
Despite of Arnold Schwarzenegger’s hilarious Russian accent, this movie might be the lamest buddy cop flick of the 1980s. Personally, I’m more disappointed with “Tango & Cash” (1989) because Sylvester Stallone and Kurt Russell are two of my favorite actors, but that movie sucked. I’m less surprised about the poor quality of this pairing of Arnie and Jim Belushi. It’s just unfathomable to me that this uninspired film was directed by Walter Hill. The man who made “The Warriors” (1979). This film is just not a par with all the classic buddy cop films like “Lethal Weapon” (1987), “48 Hrs.” (1982), or even “Running Scared” (1986). There’s nothing special about the story. Arnie plays a fish out of water cop, hunting down the drug kingpin who murdered his partner. The few times this movie made me chuckle, it was Arnie and not Jim Belushi. Since I didn’t see this film as a kid, there’s no nostalgia for me. Arnie didn’t even say “I’ll be back” in Russian. A missed opportunity. In my opinion, this film is as forgettable as “Red Sonja.”
Critics are usually pretty hard on Arnold Schwarzenegger. I’ll agree that he’s more of a larger than life personality than an actor, but in “Twins” he gives a genuine performance. He’s not playing a tough guy who spouts one liners. As Julius Benedict, he is sheltered, naïve, but always compassionate and selfless. Danny DeVito as Vincent Benedict was the perfect foil for Arnie with his smart mouth and wiseguy antics. These two played off each other so well in both the comedic and dramatic moments. Kelly Preston provided the eye candy. Not to objectify leading ladies, but she was pretty hot back then. Arnold Schwarzenegger and Danny DeVito as brothers? I believe it was Leonard Maltin who said that “Twins” was a box office smash because of its poster, but beyond the inspired casting, this film succeeds on many levels. Director Ivan Reitman at his best. There’s plenty of laughs, but the climax was also quite suspenseful. Then, the film closes on a touching moment with the brothers being reunited with their mother. Me and my sister would quote this film a lot as kids. Arnie worked with Ivan Reitman two more times, as many times as he has worked with James Cameron. Evidently, there’s now a sequel in the works with Eddie Murphy being introduced as the long lost Benedict brother, but let’s wait and see if this project actually comes to fruition.
“I’ll be back” counter: 4
“Star Trek” (2009)
I had some serious reservations when it came to new cast portraying the iconic crew of TOS, but the teaser trailers eventually had me excited. I assumed I’d take umbrage with Chris Pine as James T. Kirk 2.0, but I was actually more uncomfortable with Spock 2.0. Not that there was anything wrong with Zachary Quinto’s performance, but his romance with Zoe Saldana as Uhura baffled me. Spock had a relationship with one of his cadets at Starfleet Academy? Illogical.
As far as Kirk goes, he got pummeled in every physical altercation, which seemed out of character. I remembered William Shatner always being good in a fight even if his stunt double was noticeable in most wide shots on TOS. Eric Bana was a bit stale as Nero. Romulans just don’t have the same flair as other Star Trek antagonists. Leonard Nimoy appears as Spock for the first time since 1991, when he guest starred on “Star Trek: The Next Generation” and “Star Trek VI: The Undiscovered Country” was released.
William Shatner was not included in the film, which was probably for the best. Kirk cannot simply return from the grave for a shoehorned cameo. An entire film, “Star Trek III: The Search for Spock,” was dedicated to resurrecting everyone’s favorite Vulcan science officer. A William Shatner cameo could only have been justified with some lazy writing.
This film was well cast, even though seeing Winona Ryder playing a mother made me feel old. It was quite clever of the filmmakers to create an alternate timeline, so this is a reboot that doesn’t discount the history of these characters and also takes them in new creative directions. In my opinion, the “Star Trek” reboots play better than the “Star Wars” prequel trilogy, so the edge may now go to “Star Trek” when comparing and contrasting the two greatest sci-fi franchises. Let’s see if J.J. Abrams can tip the balance of power back in “Star Wars” favor with Episode VII.
“Star Trek Into Darkness” (2013)
Okay, some people were apparently shocked to learn that Benedict Cumberbatch was really playing Khan Noonien Singh, but I fell into the category of those who saw the big reveal coming even before the film was released. I think that Cumberbatch was quite good in the role, even though the character probably should not have been played by a Caucasian actor.
Benedict Cumberbatch was a casting choice which I had initially struggled with. In TOS episode “Space Seed,” Khan was presumed to been of Indian decent, albeit genetically enhanced, and was portrayed Ricardo Montalban, who was Mexican. The reboot crew all (in some way) resemble the original crew, but there’s very little physical resemblance between Montalban and Cumberbatch. I believe that Benicio Del Toro was originally considered to play the part. He was also the first actor attached to play Darth Maul in “Star Wars: Episode I – The Phantom Menace.” I’m starting to think that Del Toro will never be a villain in a big summer sci-fi flick. Ultimately, I’ve decided that Cumberbatch captured the true essence of Khan and choose to ignore the alleged “whitewashing” and just appreciate his talent as an actor. Also, Khan’s inclusion in this film confirms that he is greatest villain in the franchise. (I’d rank The Borg Queen second). But, I respect the opinion of anyone who still disagrees with the casting. No one has said that Benedict Cumberbatch wasn’t a terrific antagonist in the film, only that Khan should have been played by someone bearing more of a resemblance to Ricardo Montlaban like Benicio Del Toro.
I’m still not sold on the Spock / Uhura romance, but I’ve learned to cope. At least they introduced a love interest for Kirk. Apparently, having Alice Eve in her underwear set the women’s movement back decades, but I don’t see what the big deal is… and I’ve studied that scene closely. And, more importantly, Kirk didn’t get his ass kicked a bunch of times like he did in first J.J. Abrams flick.
I think that this film was wasting its time by trying to recreate the impactful climax of “Wrath of Khan.” The roles were now reversed, but it was still Kirk and Spock saying farewell to each through a piece of glass. It’s not so easy to recreate the chemistry that William Shatner and Leonard Nimoy had. Also, Chris Pine and Zachary Quinto haven’t been paired together long enough to warrant such drama. So, Captain Kirk has now had two death scenes and neither was worthy of the character.
The next “Star Trek” film will be released in 2016. Where does the franchise go from here without J.J. Abrams in the director’s chair? Who knows, but I know what I’d like to see…
Some serious cold war tension with The Klingons. Almost justifying Admiral Marcus’ paranoia in the previous film. Also, now would be a good time to reincorporate William Shatner, either in archival footage or a voice-over. More screen time for Karl Urban as Dr. McCoy. Perhaps even a love interest? The romance between Kirk and Dr. Marcus should end in heartache. And how about another Tribble cameo? Some call that “fan service,” but why shouldn’t a film serve its core fan base?
The story should pick up three years into their five year mission because that is how long TOS was on before cancellation. I’d also like to see Simon Pegg grow a mustache, so he could resemble James Doohan more as he ages.
“The Rated R Superstar” debuted in the WWF in 1998. Originally, his persona seemed to be a mainstream version of ECW’s Raven. Edge made his PPV debut at SummerSlam 1998, teaming with Sable in a mixed tag team match against Marc Mero and Jacqueline. That fall, Edge joined Gangrel and Christian to form “The Brood,” a group primarily known for their unique entrance.
The Brood was absorbed by The Undertaker’s “Ministry of Darkness” in 1999. They participated in a very controversial moment at WrestleMania XV, hanging The Big Boss Man from the Hell in a Cell. Soon after this, The Brood was booted from The Ministry. Gangrel also forsook Edge and Christian, forming “The New Brood” with The Hardy Boyz.
Even though Gangrel started the epic feud, both teams set their sights on winning the managerial services of Terri Runnels, competing in the first ever tag team ladder match. The Hardy Boyz were victorious, but both teams made their mark. Edge and Christian actually teamed with The Hardy Boyz at Survivor Series 1999, having won each other’s respect.
Both teams challenged The Dudley Boyz for the WWF Tag Team Championships at WrestleMania 2000 in a Triangle Ladder Match. Edge and Christian captured the titles, then they turned on the fans. Even without the crowd support, they dominated the tag team division for the next year by defeating The Dudleyz and The Hardyz in the first ever TLC Match at SummerSlam 2000 and TLC II at WrestleMania XVII. Edge won the 2001 King of the Ring tournament, defeating Kurt Angle in the finals, which caused dissention between he and Christian, who became jealous of Edge’s success in singles competition. The duo eventually split up and battled each other for the Intercontinental Championship.
Edge had rivalries with the likes of William Regal and Eddie Guerrero in 2002 and had two more reigns as a tag team champion. One with his boyhood hero, “The Immortal” Hulk Hogan, and another with Rey Mysterio. Edge injured his neck early in 2003 and was out of action for well over a year.
When Edge returned in 2004, he won the Intercontinental Championship from Randy Orton, but he and his fans became frustrated with his inability to live up to his potential and become the World Heavyweight Champion. He was actually jeered in his hometown of Toronto at SummerSlam 2004. Edge snapped and cost Shawn Michaels the World Heavyweight Championship at Taboo Tuesday 2004. At WrestleMania XXI, Edge won the first ever Money in the Bank Ladder Match, guaranteeing himself a title shot within the next year. He also became vilified for his relationship with Lita, which lead to heated rivalries with both Kane and Matt Hardy. Kane crashed Edge and Lita’s wedding and tombstoned the priest. Edge waited until New Year’s Revolution 2006 to finally cashed in his title opportunity, defeating John Cena after Cena had successfully defended the WWE Championship in an Elimination Chamber Match.
Edge’s title reign was brief and he inexplicably blamed Mick Foley. Edge defeated Mick Foley in a Hardcore Match at WrestleMania XXI, then resumed feuding with John Cena for most of 2006. After trading victories with John Cena, Edge formed another tag team with Randy Orton, called “Rated RKO.” Despite their potential, this duo never really synced and dissolved their partnership early in 2007.
Edge won the Money in the Bank contract for a second time, defeating Mr. Kennedy, then he cashed in to steal the World Heavyweight Championship from The Undertaker. Ironically, Edge tore his pectoral muscle in an altercation with Kane and was forced to relinquish the title. Edge returned and began a torrid love affair with Vickie Guerrero, the new G.M. of the SmackDown! brand. Edge was in the main event of WrestleMania XXIV, defending the World Heavyweight Championship against The Undertaker. The Undertaker remained undefeated at WrestleMania, winning the title, and he also bested Edge in a Hell in a Cell Match at SummerSlam 2008.
Edge’s on-again-off-again relationship with Vickie Guerrero continued to payoff as he made a surprise return at Survivor Series 2008 to win the WWE Championship. He then lost the WWE Championship at No Way Out 2009 in the SmackDown! Elimination Chamber Match, only to win the World Heavyweight Championship later that night in the RAW Elimination Chamber Match. Since Vickie Guerrero wasn’t the G.M. of RAW at the time, no reasonable explanation was ever given as to why this title change was permitted. Because of a bizarre love triangle with Vickie Guerrero and The Big Show, Edge lost the World Heavyweight Championship to John Cena in a Triple Threat Match with The Big Show at WrestleMania XXV.
Edge formed yet another tag team, this time with Chris Jericho in the summer of 2009, but suffered an Achilles tendon injury and was replaced by The Big Show. Chris Jericho and The Big Show became the Slammy Award winning “Tag Team of the Year 2009.” Edge returned and won the 2010 Royal Rumble Match, making him one of the most decorated WWE superstars of all time, but he failed to capture the World Heavyweight Championship from Chris Jericho at WrestleMania XXVI.
Edge was one of the superstars who united against “The Nexus,” a faction of upstarts who invaded RAW in the summer of 2010, then returned to SmackDown! and won the World Heavyweight Championship from Kane at TLC 2010. As his career began to wind down, Edge had several successful title defenses against Dolph Ziggler, who was Vickie Guerrero’s new charge, before his final match, successfully defending the World Heavyweight Championship against Alberto Del Rio at WrestleMania XXVII. Christian was in Edge’s corner for his final match. Edge was inducted into the WWE Hall of Fame by Christian one year later on the eve of WrestleMania XXVIII.
Article can be found at the link below…
“Star Trek: Generations” (1994)
Well, I suppose it was inevitable. The torch needed to be passed. I’ve always preferred the original crew to the next generation, but I still enjoyed the Captain Picard era. “Star Trek: The Next Generation” may have been more representative of Gene Roddenberry’s vision than TOS. Kirk, Scotty, and Chekov appear in opening aboard the Enterprise-B and Kirk is supposedly killed by a mysterious energy ribbon traveling through space and time.
The main storyline has Picard grieving over the death of his nephew and Data struggling with his new emotion chip. Malcolm McDowell played the antagonist, in cahoots with rogue Klingons, and obsessed with returning to the energy ribbon, called The Nexus, where he can be immortal. Immortality makes for a strong MacGuffin.
You cannot enjoy this film if you try to workout the logistics of The Nexus. Time travel as a plot device worked better in “The Voyage Home” and “First Contact” because The Nexus was almost a fantasy world. A naturally occurring holodeck. A common flaw in the next generation films was that the storylines seemed better suited for television and were not sufficiently epic enough for cinematic adventures. Director David Carson is primarily known for his work on the small screen.
Cooking breakfast and horseback riding were odd scenarios for the long awaited meeting of Kirk and Picard, but I thought their dialogue was well written. Was Kirk’s death scene worthy of the character? Not really, but it was almost an impossible task. Spock walked into the ship’s reactor. Kirk needed a human death. Him being shot in the back didn’t resonate, so he was crushed by a bridge in reshoots. Actually, it may have been fitting that a hero like Kirk didn’t have a rewarding swansong. It might be more poignant that he came to woeful end.
“Star Trek: First Contact” (1996)
Okay, I take back everything I’ve ever said about the next generation being less exciting than the original crew because “Star Trek: First Contact” is pretty badass. Taking a cue from Leonard Nimoy, Jonathan Frakes directed his first of two Trek flicks in a row. This was the next generation’s “Wrath of Kahn.” Definitely, their best movie.
The Enterprise-E crew pursues The Borg backwards in time to insure that first contact is still made with the Vulcans. Six years after being partially assimilated, Captain Picard is now as obsessed with destroying The Borg as Khan was with Kirk, so the “Moby Dick” parallels have been reversed. The protagonist is now the Captain Ahab, which is ironic as Patrick Stewart would eventually portray Ahab in a TNT movie. The subplot is also very strong with James Cromwell joining the cast as the man who evented warp drive, Zefram Cochran. He is a selfish drunkard and not the noble visionary they expected him to be based on their history books, yet he is still treated with reverence.
The Borg take over the ship, almost infusing horror movie elements with traditional Star Trek. The Borg Queen was introduced, played by Alice Krige. Does the existence of a queen take away from The Borg’s mystique? Are they scarier without a leader? Hard to say, but since I thoroughly enjoyed Alice Krige’s performance, The Borg Queen is my favorite next generation villain. She does her best seduce Data by grafting human skin onto his face and arm, but Data resists her charms, saving Picard and the Enterprise.
Zefram Cochran’s warp flight goes off without a hitch and first contact is made with the Vulcans, which will one day lead to the formation of the United Federation of Planets. Perhaps “First Contact” was more action oriented than fans of the next generation would have preferred, but one cannot deny its appeal to mainstream audiences.
“Star Trek: Insurrection” (1998)
It took me some time just to muster up the strength to watch this film again, which was only fair that I do before posting this article. If you combine the tedium of “Star Trek: The Motion Picture” with the muddled screenplay of “The Final Frontier” you will get “Insurrection.” I’ve freely admitted that I find the next generation crew a tad dull when compared to the original crew, but even if I was a huge fan of the next generation, I still wouldn’t have enjoyed this outing. This movie actually makes me angry.
Many reviewers have already pointed out the hypocrisy of the screenplay, so I’ll try my best to not be repetitive. It was almost as if “First Contact” was luring me only so that “Insurrection” could slap me in the face and remind why I always thought that the next generation was boring. Jonathan Frakes was not at fault as the director, it was a terribly flawed screenplay. F. Murray Abraham, as the leader of the Son’a, might be the least memorable villain in Star Trek cinematic history. Data malfunctions, but the issue was resolved quickly with a musical number.
As far as the Ba’ku are concerned, they’re a bunch of selfish jerks who are bogarting the fountain of youth. What gives them the right? They are not native to the planet, so the prime directive does not apply!!! Therefor, I cannot support Captain Picard’s decision to defy his orders. I’m usually all for insubordination. That’s why I’m a Captain Kirk fan. He was always rebellious, but the Ba’ku aren’t worth the effort. Of course, that’s just my opinion. I could be wrong, but Kirk was usually consistent. Screenwriters made Picard so inconsistent and thusly a hypocrite (It is impossible to review this film and not use the word hypocrite).
The climax with the holoship rouse was passable, but I had lost interest by that point. Data did learn the value of playtime. Wait… wasn’t that the moral of “Teenage Mutant Ninja Turtles III?” Seriously, the village scenes are similar. I rest my case.
“Star Trek: Nemesis” (2002)
I thought that the even numbered Star Trek films were suppose to be good? This one was only slightly better than “Insurrection.” Here, I think the problem was the direction, not so much the story. A Captain Picard clone antagonist should have worked as a premise whereas “Insurrection” was doomed to failure. I guess that director Stuart Baird is to blame after Jonathan Frakes helmed the two previous films. I’m a screenwriter, not a director, but something seemed lacking to me in the execution of the action sequences.
Kate Mulgrew cameos as Captain Janeway, which was pretty cool. Tom Hardy plays the antagonist, Shinzon, the aforementioned Romulan-made-clone of Captain Picard. I think it’s funny how Shinzon has a similar backstory to Bane, being raised in a prison. I’m convinced that there’s a good movie hidden somewhere in “Nemesis.” Tom Hardy was good in his roll and all of the scenes between he and Patrick Stewart were well done. Though I think Ron Pearlman was wasted. He has spent a lot of time wearing prosthetic makeup in his career, but his character in “Nemesis” was a far cry from Hellboy. The viceroy was a generic villainous henchman.
Not being a “Star Trek: The Next Generation” fanatic, I cannot gage whether or not the death of Data resonated with the Trekkies. Luckily, there just happens to be a spare Data on the Enterprise, B-4, so I’m pretty sure there is fan fiction floating around with Data being resurrected… or rebooted.
This film as all the elements of being a proper finale to the next generation. Peace is (sort of) made with the Romulan empire. Will Riker and Deanna Troi get hitched, Riker his promoted to captain of his own starship, and Data’s quest to become more human ends in self-sacrifice, but “Nemesis” just didn’t appeal to mainstream audiences. There never would have been big screen adventures produced for “Star Trek: Deep Space Nine” or “Star Trek: Voyager” and “Star Trek: Enterprise” was cancelled due poor ratings, so a reboot was inevitable.
Christopher Nolan’s “The Dark Knight Trilogy” will always be highly regarded by both Batman fanatics and general audiences, so I think there’s been more than enough praise that it wouldn’t hurt the legacy of the trilogy if I gripe a bit more about the flaws in the third film. In my article, “Batman: The Christopher Nolan Years,” my biggest grievance was with the portrayal of Miranda Tate / Talia Al Ghul. I knew that Marion Cotillard was Talia before the movie even opened and I’m sure that I wasn’t the only one. Even you weren’t familiar with the character, you must have realized that she was shady like a villainous Bond Girl. Why does there have to be a twist? Why can’t the story be told in a straightforward manner? Talia should really have been exposed by Batman, since he is a detective, and it should have occurred in the first half of the film. “The Dark Knight Rises” could still have opened with the impressive airplane sequence, but reimagined.
Hypothetically, Bane could be transported from one maximum security prison to another and set free by the few remaining members of The League of Shadows, who are now following Talia’s lead. Talia was aware of Bane exploits because he was once a member of The League and ex-communicated for being too extreme, so that part of his backstory remains the same. The price of Bane’s freedom is him being sent to Gotham to cripple Batman and lead the Blackgate Penitentiary break. Bane is eager to accept this charge because he wants Batman’s cowl as a trophy like on the animated series. And how about a few popular members of the Rogues Gallery make an appearance during the prison break? I love The Scarecrow making a cameo as the judge. Of course, all of this is a distraction for Talia to smuggle a nuclear weapon into the city. The heck with the clean energy device. A movie doesn’t need to be so convoluted to be successful. In my own humble opinion, this screenplay was trying way too hard to be clever. And I still don’t know why Batman went out of his way to make people think he died in the nuclear blast or how he cleared the blast radius in under five seconds? Did “the bat” come equipped a teleportation devise? Another unnecessary twist. But, I digress. If the villain’s scheme had been streamlined, then the film could have focused more on the relationship between Bruce Wayne and Selina Kyle.
As I said in my previous article, I really enjoyed Anne Hathaway’s performance, but since Christian Bale’s Bruce Wayne was such a curmudgeon, I don’t think they’ll live happily ever after. She might get bored with him. That’s why I still prefer the Michael Keaton / Michelle Pfeiffer “destined to end tragically” romance in “Batman Returns.” That’s right, I’m complimenting “Batman Returns.” Take that, Kevin Smith. Since “The Dark Knight Rise,” we have seen the polarizing Mandarin twist in “Iron Man 3” and another swerve in “Star Trek Into Darkness” with Benedict Cumberbatch denying during promotions that was portraying Khan. What’s with these summer blockbusters? I keep expecting the M. Night Shyamalan doll from “Robot Chicken” to pop up and say “What a twist!”
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